Saturday, January 29, 2011

An enriching Master Class for students of Whistling Woods International with Ramesh Sippy

”Passion for cinema and belief in oneself is important to become an ace director”, says Mr. Sippy

Mr. Ramesh Sippy, renowned director and producer, visited Whistling Woods International (WWI) recently to share his expert knowledge with the enthusiastic bunch of students. Mr. Sippy is well known for directing the popular and critically acclaimed blockbuster ‘Sholay’ and was pleased to interact with young film professionals.

Mr. Subhash Ghai introduced Mr. Sippy and spoke of him in high regard, adding that he himself had learnt a lot from him and his working style by watching his movies. He invited the industry stalwart to plant a tree at the WWI campus so that future generations would remember his work in the years to come.

Speaking on the difference between a great and an average director, Mr. Sippy said, “One needs to have passion for cinema and believe in oneself, without which no big filmmaker can be a great director or reach his/her ultimate goal. The only way to fascinate the audience is by showing your spark of passion and that difference in your work.”

He stressed that passion was the most important requirement, backed with a lot of homework like watching and studying movies followed by techniques and learning on how to go about it in the right way. He further added, “In our time, we did not have a school or an institute like what you have today. You have a wonderful institution. This institute gives you a tremendous learning opportunity.”

It is commonly thought that there is an artist in every technician and a technician in every artist. On being asked if he thought like an artist or a technician while making a film, he gave a very interesting example. He said, “When an artist, say a painter starts to paint, there is a certain imagination and he is growing by that, so even the painting, which is a flat piece of canvas, comes to life by his passion, bringing out what he wants to convey to his viewers in his painting. Without any sound or any technique, he applies different strokes of texture which is the technical part of it. But what ultimately comes out of it is a canvas full of colors and it’s the heart and his passion that the artist in him brings out. The same goes in making a movie. The artist within you has to be awakened.”

The students were keen to seek his expert advice for future actors from a director’s point of view. He said, “I’m greedy and am always looking for more than there already is. If any scene is not up to the mark, I have never told an actor so; I have appreciated him/her and have encouraged them to give it one more shot. You should always egg them on to excel but self-discipline for them is extremely important. Don’t go out of this room thinking that luck is all it takes; your passion, hard work, discipline and your understanding of the character you are trying to portray are important factors. Finally WWI is here to guide you in the best way possible. ”

Apart from highlighting his career in the film industry, he shared his expert knowledge on different aspects of filmmaking, including direction, production, script-writing and casting with the students.

At the end of the session, he expressed his delight to be present at Whistling Woods International amongst the eager and aspiring bunch of students and wished them luck in their future endeavors to make it big in the film industry.

An enriching Master Class for students of Whistling Woods International with Ramesh Sippy

”Passion for cinema and belief in oneself is important to become an ace director”, says Mr. Sippy

Mr. Ramesh Sippy, renowned director and producer, visited Whistling Woods International (WWI) recently to share his expert knowledge with the enthusiastic bunch of students. Mr. Sippy is well known for directing the popular and critically acclaimed blockbuster ‘Sholay’ and was pleased to interact with young film professionals.

Mr. Subhash Ghai introduced Mr. Sippy and spoke of him in high regard, adding that he himself had learnt a lot from him and his working style by watching his movies. He invited the industry stalwart to plant a tree at the WWI campus so that future generations would remember his work in the years to come.

Speaking on the difference between a great and an average director, Mr. Sippy said, “One needs to have passion for cinema and believe in oneself, without which no big filmmaker can be a great director or reach his/her ultimate goal. The only way to fascinate the audience is by showing your spark of passion and that difference in your work.”

He stressed that passion was the most important requirement, backed with a lot of homework like watching and studying movies followed by techniques and learning on how to go about it in the right way. He further added, “In our time, we did not have a school or an institute like what you have today. You have a wonderful institution. This institute gives you a tremendous learning opportunity.”

It is commonly thought that there is an artist in every technician and a technician in every artist. On being asked if he thought like an artist or a technician while making a film, he gave a very interesting example. He said, “When an artist, say a painter starts to paint, there is a certain imagination and he is growing by that, so even the painting, which is a flat piece of canvas, comes to life by his passion, bringing out what he wants to convey to his viewers in his painting. Without any sound or any technique, he applies different strokes of texture which is the technical part of it. But what ultimately comes out of it is a canvas full of colors and it’s the heart and his passion that the artist in him brings out. The same goes in making a movie. The artist within you has to be awakened.”

The students were keen to seek his expert advice for future actors from a director’s point of view. He said, “I’m greedy and am always looking for more than there already is. If any scene is not up to the mark, I have never told an actor so; I have appreciated him/her and have encouraged them to give it one more shot. You should always egg them on to excel but self-discipline for them is extremely important. Don’t go out of this room thinking that luck is all it takes; your passion, hard work, discipline and your understanding of the character you are trying to portray are important factors. Finally WWI is here to guide you in the best way possible. ”

Apart from highlighting his career in the film industry, he shared his expert knowledge on different aspects of filmmaking, including direction, production, script-writing and casting with the students.

At the end of the session, he expressed his delight to be present at Whistling Woods International amongst the eager and aspiring bunch of students and wished them luck in their future endeavors to make it big in the film industry.

An enriching Master Class for students of Whistling Woods International with Ramesh Sippy

”Passion for cinema and belief in oneself is important to become an ace director”, says Mr. Sippy

Mr. Ramesh Sippy, renowned director and producer, visited Whistling Woods International (WWI) recently to share his expert knowledge with the enthusiastic bunch of students. Mr. Sippy is well known for directing the popular and critically acclaimed blockbuster ‘Sholay’ and was pleased to interact with young film professionals.

Mr. Subhash Ghai introduced Mr. Sippy and spoke of him in high regard, adding that he himself had learnt a lot from him and his working style by watching his movies. He invited the industry stalwart to plant a tree at the WWI campus so that future generations would remember his work in the years to come.

Speaking on the difference between a great and an average director, Mr. Sippy said, “One needs to have passion for cinema and believe in oneself, without which no big filmmaker can be a great director or reach his/her ultimate goal. The only way to fascinate the audience is by showing your spark of passion and that difference in your work.”

He stressed that passion was the most important requirement, backed with a lot of homework like watching and studying movies followed by techniques and learning on how to go about it in the right way. He further added, “In our time, we did not have a school or an institute like what you have today. You have a wonderful institution. This institute gives you a tremendous learning opportunity.”

It is commonly thought that there is an artist in every technician and a technician in every artist. On being asked if he thought like an artist or a technician while making a film, he gave a very interesting example. He said, “When an artist, say a painter starts to paint, there is a certain imagination and he is growing by that, so even the painting, which is a flat piece of canvas, comes to life by his passion, bringing out what he wants to convey to his viewers in his painting. Without any sound or any technique, he applies different strokes of texture which is the technical part of it. But what ultimately comes out of it is a canvas full of colors and it’s the heart and his passion that the artist in him brings out. The same goes in making a movie. The artist within you has to be awakened.”

The students were keen to seek his expert advice for future actors from a director’s point of view. He said, “I’m greedy and am always looking for more than there already is. If any scene is not up to the mark, I have never told an actor so; I have appreciated him/her and have encouraged them to give it one more shot. You should always egg them on to excel but self-discipline for them is extremely important. Don’t go out of this room thinking that luck is all it takes; your passion, hard work, discipline and your understanding of the character you are trying to portray are important factors. Finally WWI is here to guide you in the best way possible. ”

Apart from highlighting his career in the film industry, he shared his expert knowledge on different aspects of filmmaking, including direction, production, script-writing and casting with the students.

At the end of the session, he expressed his delight to be present at Whistling Woods International amongst the eager and aspiring bunch of students and wished them luck in their future endeavors to make it big in the film industry.

Sunday, January 16, 2011

Manoj Kumar – the Patriotic face of Indian Cinema!







Reasons why Manoj Kumar became the Patriotic face of Indian Cinema!

1. His is epic role in 'Shaheed' established his identity as ‘Mr. Bharat’ forever.
2. 'Jai Jawan Jai Kisan' slogan was making waves throughout the country when the issue of Indo-Pak war was hot.
3. Manoj Kumar captured the idea and produced the unforgettable flick "Upkaar".



Do you agree?

Manoj Kumar – the Patriotic face of Indian Cinema!







Reasons why Manoj Kumar became the Patriotic face of Indian Cinema!

1. His is epic role in 'Shaheed' established his identity as ‘Mr. Bharat’ forever.
2. 'Jai Jawan Jai Kisan' slogan was making waves throughout the country when the issue of Indo-Pak war was hot.
3. Manoj Kumar captured the idea and produced the unforgettable flick "Upkaar".



Do you agree?

Manoj Kumar – the Patriotic face of Indian Cinema!







Reasons why Manoj Kumar became the Patriotic face of Indian Cinema!

1. His is epic role in 'Shaheed' established his identity as ‘Mr. Bharat’ forever.
2. 'Jai Jawan Jai Kisan' slogan was making waves throughout the country when the issue of Indo-Pak war was hot.
3. Manoj Kumar captured the idea and produced the unforgettable flick "Upkaar".



Do you agree?

Manoj Kumar – the Patriotic face of Indian Cinema!







Reasons why Manoj Kumar became the Patriotic face of Indian Cinema!

1. His is epic role in 'Shaheed' established his identity as ‘Mr. Bharat’ forever.
2. 'Jai Jawan Jai Kisan' slogan was making waves throughout the country when the issue of Indo-Pak war was hot.
3. Manoj Kumar captured the idea and produced the unforgettable flick "Upkaar".



Do you agree?

Monday, January 10, 2011

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Learning skills must be foremost, says Subhash Ghai

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Learning skills must be foremost, says Subhash Ghai

Renowned film-maker Subhash Ghai was honoured with the Lifetime Achievement Award at the ongoing 9th Pune International Film Festival 2011 (PIFF) in Pune.

Also the founder and chairman of Whistling Woods International (WWI), Ghai expressed his happiness at getting recognition not only as a film-maker, but as an educationist for nurturing and training aspiring film-makers too.



“I am honoured to receive this award in the city that I started my journey in, as a student of the first batch of the Film and Television Institute of India (FTII) in 1963,” said Ghai.

A successful director who has deep understanding of the movie business, Ghai said that it was in 1990 that he first thought of setting up a film school and library.

“I am the first independent film-maker who wanted to start a school to pass on skills to the next generation. I was encouraged by people from the film industry to provide world-class education in all aspects of film-making, television, animation and media arts.”

Ghai has been instrumental in launching many artistes, like Jackie Shroff (Hero - 1983), Madhuri Dixit (Ram Lakhan -1989) and Manisha Koirala (Saudagar - 1991).

However, due to this, many aspiring actors started approaching him and expected him to launch them.

“I could identify with their struggle because I had gone through the same when I moved from Pune to Mumbai. This led to the idea of starting a film school and library, where amateur artistes could get an opportunity to know how they perform professionally rather than just dream big,” he said.

As he could not afford the cost of buying a plot of land in Mumbai for his dream project, he made a proposal to then chief minister Sharad Pawar in 1993 to allot land for the school campus. “However, nothing happened. The proposal was passed from Pawar to Manohar Joshi to Narayan Rane and Vilasrao Deshmukh. Owing to the support of Sunil Dutt and Dilip Kumar, Deshmukh agreed to allot 20 acres of land in Goregaon East (Film City, Mumbai) in 2000. With the state government entering into a joint venture with Mukta Arts to start WWI, the school finally started in 2001,” he said.

“The FTII is a model of 1960, based on the Russian method of film-making, wherein only 10% to 20% achieved success in the film industry and the rest went back home,” said Ghai. Thus, starting a film school after 40 years in 2001, Ghai had to review the changes in the industry over the years. After touring institutes in other countries and working out how to bring the latest technology, skills and philosophy of education in film-making, Ghai and his team designed a skill-based educational approach. “The curriculum we adopted was more skill-based than just being a knowledge domain,” he said.

Stressing on the MBA programme in media and entertainment to revolutionise the way future professionals shape the film industry, Ghai said, “Today, the Indian film industry has corporate recognition and we need good governance. We require talented professionals who understand management. The Manipal University in Bangalore has started a two-year MBA programme in media and entertainment, in association with WWI.”

Ghai also said that parents and students should realise that there are careers beyond acting and direction.

“Those who get attracted towards the film industry are enamoured with the money and fame that comes along. However, professionalism in any field comes through experience; first, we must learn the skills,” he insisted.

Ghai has plans to open a film academy in Pune, especially for children. The WWI has set up campuses at Jhajjar (Haryana) and Hyderabad, he added.

Source: DNA

Learning skills must be foremost, says Subhash Ghai

Renowned film-maker Subhash Ghai was honoured with the Lifetime Achievement Award at the ongoing 9th Pune International Film Festival 2011 (PIFF) in Pune.

Also the founder and chairman of Whistling Woods International (WWI), Ghai expressed his happiness at getting recognition not only as a film-maker, but as an educationist for nurturing and training aspiring film-makers too.

“I am honoured to receive this award in the city that I started my journey in, as a student of the first batch of the Film and Television Institute of India (FTII) in 1963,” said Ghai.

A successful director who has deep understanding of the movie business, Ghai said that it was in 1990 that he first thought of setting up a film school and library.

“I am the first independent film-maker who wanted to start a school to pass on skills to the next generation. I was encouraged by people from the film industry to provide world-class education in all aspects of film-making, television, animation and media arts.”

Ghai has been instrumental in launching many artistes, like Jackie Shroff (Hero - 1983), Madhuri Dixit (Ram Lakhan -1989) and Manisha Koirala (Saudagar - 1991).

However, due to this, many aspiring actors started approaching him and expected him to launch them.

“I could identify with their struggle because I had gone through the same when I moved from Pune to Mumbai. This led to the idea of starting a film school and library, where amateur artistes could get an opportunity to know how they perform professionally rather than just dream big,” he said.

As he could not afford the cost of buying a plot of land in Mumbai for his dream project, he made a proposal to then chief minister Sharad Pawar in 1993 to allot land for the school campus. “However, nothing happened. The proposal was passed from Pawar to Manohar Joshi to Narayan Rane and Vilasrao Deshmukh. Owing to the support of Sunil Dutt and Dilip Kumar, Deshmukh agreed to allot 20 acres of land in Goregaon East (Film City, Mumbai) in 2000. With the state government entering into a joint venture with Mukta Arts to start WWI, the school finally started in 2001,” he said.

“The FTII is a model of 1960, based on the Russian method of film-making, wherein only 10% to 20% achieved success in the film industry and the rest went back home,” said Ghai. Thus, starting a film school after 40 years in 2001, Ghai had to review the changes in the industry over the years. After touring institutes in other countries and working out how to bring the latest technology, skills and philosophy of education in film-making, Ghai and his team designed a skill-based educational approach. “The curriculum we adopted was more skill-based than just being a knowledge domain,” he said.

Stressing on the MBA programme in media and entertainment to revolutionise the way future professionals shape the film industry, Ghai said, “Today, the Indian film industry has corporate recognition and we need good governance. We require talented professionals who understand management. The Manipal University in Bangalore has started a two-year MBA programme in media and entertainment, in association with WWI.”

Ghai also said that parents and students should realise that there are careers beyond acting and direction.

“Those who get attracted towards the film industry are enamoured with the money and fame that comes along. However, professionalism in any field comes through experience; first, we must learn the skills,” he insisted.

Ghai has plans to open a film academy in Pune, especially for children. The WWI has set up campuses at Jhajjar (Haryana) and Hyderabad, he added.

Source: DNA